1957

Films from 1957

The Tarnished Angels

It was my turn to pick the week’s movie, and it was harder than expected.

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The Tarnished Angels

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I had a few in mind — a 45-minute Florida documentary, a three-hour Russian science-fiction film, the first in a series of Japanese samurai pictures — but none seemed right this week.

The Criterion Channel had a relatively new collection of four movies by director Douglas Sirk that looked interesting. The Tarnished Angels, in particular, caught my attention.

The Tarnished Angels was based on one of William Faulkner‘s lesser-known novels, Pylon. Faulkner’s novel was well-reviewed by The New York Times, but not well remembered by most of us.

As expected, the movie takes liberties adapting the 1935 novel to the screen. In the novel, racing pilot Roger Shumann, parachute jumper Jack Holmes, and Schumann’s wife, Laverne, are a love triangle, with the father of Laverne’s son uncertain. Mechanic Jiggs plays a pivotal role but isn’t involved romantically with Laverne. And there’s the unnamed reporter, described by Faulkner as six feet tall and 95 pounds.

Throne of Blood

Everything in Akira Kurosawa‘s Throne of Blood is spot-on, as usual. The leads — Toshiro Mifune and Isuzu Yamada as the ostensible Macbeth and Lady Macbeth — are impeccable as Kurosawa blends the Shakespeare tragedy with Japanese Noh performance, with a dose of John Ford western for good measure.

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"Throne of Blood"

Where to watch: Just Watch

It’s a tightly crafted, brilliantly acted, pared-down adaptation of Macbeth set in feudal Japan.

What more can be said about the 1957 film (or any of Kurosawa’s other 29 films, for that matter) that hasn’t been said?

So rather than re-analyze Throne of Blood, I want to ask a question I think about often as I’m watching, in particular, foreign films: How much am I missing?

In film club, most of the movies we watch were produced years ago, in other countries, and in languages other than English. We’re viewing them from a 2020s, American perspective. We’re not watching the movies in the context they were produced.